Sidonie Straughn-Morse
Printmaking
Handweaving
About
Printmaking
Handweaving
About
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All Printmaking
Monoprint experimentation, 2017
"On Balance," variable edition, monoprint and lithography, 2017
Monoprint with pressed and dried moss, 2016
"Pond," variable edition with pressed and dried gingko leaves and moss on Stonehenge 100% cotton paper, featured in a juried exhibit at Northwinds Gallery, Port Townsend, Washington, October 2016
Monoprint with gingko leaves and moss, 2016
Sometimes what's left behind on the inking glass is my favorite part of printmaking
Hand-printed card with dried grasses, 2016
Detail of monoprint with dried grasses, 2016
detail of monoprint with dried grasses, 2016
Detail of monoprint with dried fern, 2016
Detail of monoprint with ferns, 2016
Detail of monoprint with dried ferns, 2016
Hand-printed card with pressed and dried ferns, 2016
Large format multi-color monoprint with pressed and dried ferns on Stonehenge 100% cotton paper
Detail of hand-printed card with cedar frond on textured plate, 2015
Monoprinted card with cedar front and textured plate, 2015
Monoprint with cedar frond, 2015
Monoprint with elderberry, 2016
Monoprint with pressed and dried wild pea leaves, 2015
Monoprint with ferns on textured plate, 2015
Detail of monoprint with ferns, 2015
Detail of monoprint with layered ferns, 2015
Monoprint with wild pea leaves, 2015
Monoprint with ferns and textured plate, 2015
Monoprint with ferns and textured plates, 2015
Detail of monoprint with ferns, 2015
Monoprint with cedar fronds, 2015
Monoprint with feather and textured plate, 2015
Detail of monoprint with cedar front and textured plate, 2015
Monoprint with dandelion leaves, 2015
Detail of monoprint with dandelion leaves, 2015
Detail of monoprint with dandelion leaves, 2015
Collagraph with cedar fronts, 2014
Detail of lithograph from original photograph, 2013
Detail of lithograph from original photograph, 2013